北宋范寬曾說：師古人不如師造化，師造化不如師心源。我的創作靈感常取之於大自然，但最後呈現出來的卻是我心靈的圖像。
<光陰帖>系列是近兩年的繪畫創作，其構想是自北宋巨作<谿山行旅圖>而來。奇峰巨岩矗立於畫面正中央，范寬以精密的筆法描繪山石川林，地表氣象。但與之不同的，是我企圖把目光聚焦於地質石層演化的本身。從浸潤、風蝕、堆疊的外化形貌，到炎熔、積澱、晶結的內在潛變，來探索時間與物質的互動與消長。
【記者張志杰北縣報導】
臺北縣清傳高商美術教師連瑞芬舉行﹁心靈地圖﹂現代水墨創作展，於二月十四日起，在國立台灣藝術教育館藝廊展出，為期兩週。此次是連瑞芬的第三次個展，展出四十餘件﹁光陰帖﹂系列創作作品。
Ink painting searches for a place in the modernMany traditional art froms have sought to make themselves relevant to a new century with varying degrees of success
Taipei Times By Susan KendzulakCONTRIBUTING REPORTER Thursday, Jan 25, 2007, Page 15
As we are all excitedly awaiting the grand-opening next month of the newly refurbished National Palace Museum, which promises to be well worth the wait, there is another exhibition currently on view to satisfy our fix for Chinese-style art. Ink Transformation: Modern Ink Painting in Taiwan at the Taipei Fine Arts Museum provides a short history lesson for Chinese ink painting created in Taiwan from the mid-20th century to the present.